Canon G12 10 MP Digital Camera with 5x Optical Image Stabilized Zoom and 2.8 Inch Vari-Angle LCD
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Canon's 4342B001 PowerShot G12 10MP Compact Digital Camera is ready to impress the advanced amateurs who have always celebrated the G Series. The G12 is still loaded with powerful technologies that has made the G Series cameras so renowned, like the Canon HS SYSTEM, 2.8-inch Vari-angle Pure Color System LCD, and RAW + JPEG image modes. Now, this flagship camera paves the way with these new upgrades like 720p HD Video with stereo sound to get crystal clear footage, multiple aspect ratios, High Dynamic Range, Electronic Level, Tracking AF, a Front Dial and much more to give you even more creative control than before.1-Year Limited Warranty.
- Amazon Sales Rank: #13 in Camera & Photo
- Size: One Size
- Color: Black
- Brand: Canon
- Model: 4342B001
- Aspect ratio: 4:3
- Number of items: 1
- Dimensions: 1.90" h x 3.00" w x 4.40" l, .78 pounds
- 10.0-megapixel sensor and the DIGIC 4 Image Processor combine to create Canon's HS SYSTEM for improved low light performance
- Shoot 720p HD video in stereo sound; HDMI output
- Canon's Hybrid IS compensates for angular and shift camera shake during close-up shooting
- 5x optical zoom with Optical Image Stabilizer; 28mm wide-angle lens; optical viewfinder
- Capture images and video to SD/SDHC/SDXC memory card, MultiMediaCard, MMC Plus Card, HC MMC Plus Card (not included)
From the Manufacturer
Feast your eyes on an updated G Series digital camera: The G12. It's ready to impress the advanced amateurs who have always celebrated the G Series. The G12 is still loaded with powerful technologies that has made the G Series cameras so renowned, like the Canon HS SYSTEM, 2.8-inch Vari-angle PureColor System LCD, and RAW + JPEG image modes. Now, this flagship camera paves the way with these new upgrades like 720p HD Video with stereo sound to get crystal clear footage, multiple aspect ratios, High Dynamic Range, Electronic Level, Tracking AF, a Front Dial and much more to give you even more creative control than before!
Canon PowerShot G12 Highlights
10.0 Megapixel sensor combined with the DIGIC 4 Image Processor creates Canon's HS SYSTEM
The PowerShot G12 employs the HS SYSTEM by combining a powerful 10.0 Megapixel CCD sensor and Canon's DIGIC 4 Image Processor. Thanks to this technological advancement, the G12 is dramatically more sensitive than cameras with identical megapixel counts, and delivers spectacular images with minimal noise. Increased sensitivity demands a higher ISO speed, and the PowerShot G12 delivers with a new maximum setting of ISO 3200. Blur and camera shake are notably reduced for the ultimate in sharpness and clarity.
In addition, a new Low Light mode lets you capture images in an astonishing range of conditions. The camera automatically adjusts the ISO speed from ISO 320 to ISO 12800 in relation to ambient brightness, subject movement and camera shake.
Shoot 720p HD video in stereo sound and play back on an HDTV via the HDMI output
The PowerShot G12 also includes spectacular video functionality. When shooting video, you can get up close with the 5x Optical Zoom for riveting detail and realism, from the overall appearance to facial expressions! And the camera's Smart AUTO technology that helps ensure the perfect still image works to bring that same quality to your video.
Shooting and recording modes including RAW + JPEG
The PowerShot G12's RAW mode lets you shoot images without JPEG compression. It gives you clearer images and complete creative control in editing. RAW images are transferred directly to the computer where they can then be edited using image adjustment software or a processing application to adjust your images as you please. The camera can also be set to allow the simultaneous recording of both RAW and JPEG images while shooting.
Canon's Hybrid IS compensates for angular and shift camera shake during close-up shooting
The PowerShot G12 is equipped with Canon's highly advanced Hybrid IS function, which corrects camera shake from two sources to deliver sharp, blur-free images even when you zoom in close to your subject.
Hybrid IS employs both an angular sensor and an accelerometer, enabling it to suppress both the blur caused by the angle of the camera and the "shift blur" that happens when your subject moves parallel to the camera, a problem that is especially noticeable at large zoom factors.
With the ability to produce clear, steady images in all situations and at any zoom length, the PowerShot G12 is the camera you'll want to take everywhere.
2.8-inch Vari-angle LCD with 461,000 dots plus an optical viewfinder
The PowerShot G12 gives you a large 2.8-inch PureColor System LCD screen for excellent control when framing your shots. But size is only part of the story. Canon's PureColor System LCD offers spectacular color, resolution and contrast even at an angle. The screen is durable and easy to see. It is a perfect feature for gathering friends and family around to see your images.
5x Optical Zoom with Optical Image Stabilizer, plus a 28mm Wide-Angle Lens
The camera is equipped with a long, 5x Optical Zoom, and Canon's own Optical Image Stabilizer Technology keeps images steady and blur-free all through the zoom range--even in low light--by detecting motion and generating a corrective signal. Because it is an optical system, more corrective movement is allowed and there is no degradation of image quality.
The G12 is a highly versatile camera with a wide-angle zoom lens that reaches all the way from 28mm at the wide end to 140mm at the telephoto end (35mm format equivalent). You'll capture more image in every shot, and add greater depth to your overall photography.
Optional accessories including Speedlite flashes, underwater housing and Tele-Converter Lens are available
The PowerShot G12 is compatible with the Speedlite flash series intended for all EOS series SLR cameras. Attach a Speedlite flash to the hot shoe, then you can set and control the flash on the "Flash Control" menu in the camera. With a Speedlight, the G12 is given extra functions such as autoflash metering, FE lock and Flash exposure compensation; continuous shooting with external flash. Also Canon's Speedlite Transmitter ST-E2 enables you to have multiple slave flashes and wireless control. A Tele-Converter lens designed for the G12, Filter Adapter FA-DC58B and WP-DC34 Waterproof Case is also available.
High Dynamic Range scene mode combines multiple shots into one picture
Shooting in high contrast environments can often result in photos with overexposed and underexposed sections. So to tackle this problem, Canon developed the High Dynamic Range shooting mode to make select PowerShot cameras even more intuitive. Under High Dynamic Range* the camera will shoot three different exposures in a succession (underexposed, overexposed and normal) and then merge them into a single image. Underexposed areas are combined with the overexposed and vice versa, resulting in an evenly detailed image with flattering shadows and highlights.
*Tripod is required.
What's in the Box
- PowerShot G12 Camera body
- Lithium-ion Battery Pack NB-7L
- Battery Charger CB-2LZ
- Neck Strap NS-DC9
- AV Cable AVC-DC400ST
- USB Interface Cable IFC-400PCU
- Digital Camera Solution CD-ROM
Most helpful customer reviews
252 of 256 people found the following review helpful.
By G. S. Harmon
As I'm an old film guy who has resisted digital photography almost as much as dentist visits, I've really avoided making the jump. Of course, I've had a few small point and shoot cameras for quick snapshots. But recently, I've found it necessary to get a camera with more capabilities and quality.
I'd love to have a higher-end DSLR, but flying these days really doesn't lend itself to lugging a big camera bag with a couple of lenses, flash, etc. I gripe just taking my shoes off at the security checkpoint. And I am avoiding paying checked bag fees as much as I possibly can!
Last April, I finally decided to get something a bit nicer, and after weeks of searching through review after review, I finally settled on a Fuji HS10. At first, I loved that camera. Then, I discovered that particular unit was eating batteries with the voracity of John Pinette at a Vegas buffet. So, back it went. And I waited and continued to research.
Then, along comes Canon with this G12. Remember, I'm an old film guy, so I like some controls. But after 5 minutes playing with this camera, I was most impressed. Startup - it's ready to go in a flash. Focus - spot on for 99% of the photos I've shot (nothing's perfect), and that 1% I can peg on me for focus issues. Low light? Simply amazing! This camera's ability to compensate for low light is borderline spooky. Combined with the lens image stabilization, I've taken shots that would have required a tripod, cable release, and good old-fashioned luck with a film camera.
Sports mode is very good. While the 'rapid-fire' shots aren't blazing fast, they are sharp, clean, and quick to save. In fact, the camera is fast with saves in most every mode I've tried. And speaking of modes, I discovered one that I've fallen in love with - Nostalgia mode. With a quick click of the front-mounted scroll-wheel, one can age a photo making it appear a bit washed out and grainy. For artistic shots, this mode just made me feel like I was working darkroom magic without the darkroom!
Some folks have complained that it's too big for a pocket. I didn't really have any issues with that. In fact, I think that for everything this camera can do, it's size is one of the biggest selling points.
I just returned from a quick trip to Jamaica where I took all sorts of shots. The ones that got the most compliments were the low-light shots. And everyone that asked and showed this camera were amazed at what it was able to do.
As I mentioned - I'm incredibly impressed with this camera.
1972 of 2051 people found the following review helpful.
Fantastic tool for serious photographers - but not perfect.
By Todd Gilbert
So I owned a G11 - and for whatever reason sold it a few months back. I have since tried the Panasonic Lumix DMC-GF1, Panasonic Lumix DMC-LX5 and Samsung TL500. This whole time I was searching for something better than the G-series - I only found it with the GF1 - but it is too large to be a compact.
I only give this camera 4 stars instead of 5 for the following reasons.
1. External Speedlite control - you still need a "Master" unit like a 580EX II or Canon STE2 to control external Speedlites. Canon should get off their butt in this area to compete with the new Nikon P7000. I almost considered going the Nikon route just to have that feature built in. Canon - start paying attention to what David Hobby says.
2. The screen is only 460K resolution. The Nikon mentioned above is 960K. The Samsung TL500 I mentioned above sports a beautiful AMOLED screen that knocks this one out of the park.
3. The pathetic optical viewfinder. You are catering to those people that say a camera MUST have one of these - stop it. You are wasting space with something so awful that even a disposable camera does better. I would rather have a higher resolution bigger screen (or a smaller camera) than this awful piece of warped tunnel-vision.
4. The rear control wheel is too small - enlarge it so it feels more like one of your DSLRs.
5. While the lens is gorgeously sharp (I mean competing with some of my L-lenses sharp) - f/2.8 to f/4.5 is slow.
6. The lens needs to be wider - 24mm f/2 (or even f/1.8 in the Samsung) equiv is the primary reason I tried the LX5 and TL500 before going back to Canon.
7. No microphone input for video recording.
8. Just too big and bulky - slim it down (but do NOT remove the articulating display).
So 8 knocks like that might sound like a big deal - but believe me when I say this - the camera is phenomenal.
Image quality is outstanding - I have had to process my RAW files with their converter (typically use Adobe Photoshop Lightroom 3 - but even with their converter image quality is second to none in the compact world. I actually prefer to do product shots with a G-Series than my usual 5D2 kit due to the flexibility and increased depth of field. The lens is magnificently sharp. HD video results look pretty good - but not stellar. It'll do in a pinch - but its no camcorder replacement.
Operation speed is very very good. I have read a few posts saying that focusing speed is vastly improved from the G11 - I haven't found that to be the case but none-the-less its pretty good.
Construction quality is pretty good - but I don't like the rough textured finish as much as the smooth finish on the G11 - it somehow makes it feel cheaper.
Controls are absolutely second to none. Dedicated EV and ISO dials are wonderful. The new front control dial is great. The rear dial however could use a bit of an extension - hard to operate quickly with my fat thumb. The whole camera is a little fat - slim it down and kill the awful optical viewfinder. Would like a dedicated movie button like pretty much all of its competitors. The articulating display is fantastic - PLEASE include this whenever you update the 5D.
Value for the money is mostly good - but if you are like me and need on-camera control of external flashes add a whopping $200+ for the ST-E2.
All in all a fantastic camera - even if it is a minimal update to the G11.
Why I picked it over LX5 > See my LX5 review - but I didn't particularly like that camera. Biggest reason would the articulating display followed by the awful screen resolution when composing on the LX5.
Why I picked it over the TL500 > I couldn't get the TL500 to trigger external strobes using radio triggers - that plus the lens is MUCH sharper on the Canon. I must have a bad copy of the TL500 as finding a sharp photo in my 50+ test shots is pretty hard.
Why I picked it over the S95 > Hotshoe and articulating display. If the S95 had those it would win hands down.
Why I picked it over the P7000 > Articulating display is about it here if you don't take into account I already own several Canon Speedlites.
Why I picked it over the GF1 or EP1 > Size + Nikon P7000 comments.
Hope you found my review helpful - if so please click the link below!
Edit 30 days in: I would add one more negative - once you lock focus in video to start recording - that focus cannot be changed after the fact - disappointed in that.
Also - I dropped mine this morning =( from 4ft onto concrete. Surprised that everything still works great and as expected it got marred up and one corner's metal is a little bent - but it still works which is impressive.
117 of 118 people found the following review helpful.
The Canon G12 for advanced photography
By Moreno Tagliapietra
Hello, I am a part-time fine art photographer and my favorite subjects are landscapes, flowers, classic European architecture, travel, visual arts and crafts. I work with two DSLR systems but like to have with me a compact camera at all times for any eventuality. Depth of field, composition and sharpness are typically more important to me than very fast focusing and shooting (I work mostly in Av mode) but sometimes I need my equipment to be responsive enough to capture travel's fleeting moments.
I have recently replaced my award-winning compact Fuji E900 with a Canon G12. Living not far from B&H in Manhattan, I had the chance to "play" with it and the other two cameras I was considering - the Nikon P7000 and the Panasonic LX5 with its external EVF - before buying. After putting the camera through its paces for a couple of weeks with my kind of photography I have come to the following conclusions.
The G12 is an advanced compact camera larger than your average pocketable but smaller than a micro 4/3" or similar. It does not fit in a shirt pocket but it does it in a regular pouch together with your wallet, cell phone etc. (I never use photo bags to avoid advertising the equipment). The fact that it has some size and weight makes it more stable in my hands and allows for its numerous external controls.
The camera's key features include a larger than average 1/1.7" 10Mp sensor with superior image quality in low light and higher ISO values, a sharp 28-140mm zoom lens, an optical viewfinder, a fully articulated LCD monitor, many dedicated external controls, manual exposure, Raw format, good responsiveness, reasonably fast autofocus even in low light, and a powerful flash.
Beginning with the G11, Canon has dared bringing down the resolution of its G series sensors from 14Mp to 10Mp, which is more than enough for most users. This gutsy move has significantly reduced high ISO noise. I can make enlargements around 16x20" from the G12 with ISO 800 pics in good light and ISO400 in low light (in Raw format and proper processing in Camera Raw).
The 5x zoom lens, even if not particularly bright, extends from a very useful 28mm wide angle to a 140mm short telephoto. This conservative zoom range covers most of my typical photography, keeps the lens sharp through every focal length and reduces distortions and aberrations. Some kinds of photography can be done with inexpensive equipment but true wide angle and telephoto work requires high quality, expensive equipment and solid technique (if you are serious about your photography stay away from superzoom cameras). The zoom control is a bit on the sensitive side.
Composing with an LCD monitor is sometimes useful but generally awkward and unstable, does not help you concentrate on your subject, and is downright impossible in bright light. The G12 offers an optical viewfinder which, while small and covering only 77% of the image, is often a life saver. When I worked with slide film I strove for a final crop in-camera. Then I moved to digital and learned the creative advantage of shooting wider and doing final cropping in processing. Hence the 77% viewfinder coverage is not an issue for me, I just shoot very tight.
The camera has a sharp 2.8", 461Kp fully articulated LCD monitor hinged on the side (so that it is never in the way of the tripod head). There are specific shooting conditions where a monitor like this is useful. This includes shooting over people's heads, at ground level and wherever your arms can reach but your head can't. I do macro in the field where this feature is invaluable. A few days ago I photographed the always crowded New York Botanical Garden train show and used the LCD monitor for most of my pictures. With the camera in P mode and forced flash I got many publication-quality pics.
I like the camera's external controls a lot, especially the top and front dials. I am less enthused with the back dial which is a little awkward to operate. I have to be careful with my right hand because sometimes I touch the four-way controller, especially the manual focus button. The menu system is more modern and fancier than my Pentax and Olympus cameras but it is a bit slower. The same holds true for the autofocus which is however quite fast and accurate in low light due to the focus assist lamp. In the end, the G12 is overall much faster than the "mythical" EVF cameras I owned in the past, including the Olympus C8080 and the Fuji S9100 which took ten seconds or more to write a Raw pic to memory (the G12 does it in two seconds). Continuous shooting is up to 2fps in best possible conditions (jpeg and fixed focus and exposure) and drops to 0.8fps with continuous focus.
All the manual controls are there. The camera can shoot Raw and, my favorite, Raw + jpeg. I do all my main work in Raw but having jpegs readily available for the web and for portability is a real treat (you can check or show your jpegs with every computer). The flash is quite powerful reaching 21' at wide angle in P mode.
Using the camera in automatic is as simple as it gets but learning its functions serves two purposes: it allows you to get out of trouble if you press the wrong button, and to use all that the camera can offer to the creative photographer. If all you want is a point-and-shoot, there is plenty of smaller, simpler and/or less expensive models out there.
The camera offers a cornucopia of operating functions. I particularly value the live histogram before and after shooting, enlarged playback for checking focus, auto exposure bracketing up to +-2 f/stops (for out-of-camera HDR applications), spot autofocus and custom white balance. In jpeg format, I appreciate the Shadow Correct more than the Dynamic Range Correction because it does not crank up the ISO setting (= more noise). I prefer to process my Raw HDR pictures in Photoshop but I am impressed with the effectiveness of the in-camera HDR function (jpeg only). It requires the use of a tripod because the G12 cannot fine-align the three pictures it takes but with this camera you can use the lightest carbon fiber tripod on the market.
Macro photography is all right with the usual limitations: the maximum magnification happens at wide angle which puts the front of the lens very close to the subject (= lighting problems). Focus bracketing is limited by the fact that is does not work in macro. It would be a killer macro feature when paired with Photoshop's extended focus function. The G12 has an exhaustive set of accessories including an AC adapter, remote release and a ring flash (there are compatible ring flash units that cost a fraction of the Canon's). The lack of a printed manual is disappointing. I immediately printed my own from the enclosed CD.
I almost always work in Av mode with the autofocus set on center spot and locking, and unlocked exposure. With static subjects I like to pick my focus where I want it by pressing the shutter button half way, recompose (with the exposure continuously updating) and take the picture. With the G12 I have to pick the exposure first and lock it with the star button (top right in the back), then half press the shutter button to pick the focus point, recompose again and shoot (it takes much longer to explain it than do it). Please correct me if there is a better way to do this.
In jpeg and Quick Shot mode the camera is at its fastest. The LCD monitor turns into an info screen similar to a DSLR camera, autofocus is set to continuous and you compose with the optical viewfinder.
The G12 takes movies at 720p at 24fps or lower resolutions at 30fps with stereo sound but without manual controls or optical zoom. I tried and it works as intended (but I use a camcorder for video).
As for the competition, the Nikon 7000 is a great camera but independent testing indicates that it is unresponsive and can be frustrating to operate. The Panasonic LX5 is also very good but has no optical viewfinder. I would have to buy and use the external electronic viewfinder which I don't like and makes the whole setup somewhat awkward.
In conclusion, I find working with this camera in all the situations that do not require high speed or low light performance to be truly enjoyable. With all the limitations inherent in a compact camera, the G12 is a truly remarkable piece of photographic equipment. I would wholeheartedly recommend it to professional photographers as a go-everywhere camera as well as to serious amateurs who really want to learn the art and don't mind reading the manual.
ONE YEAR LATER: after four seasons of not heavy but regular use, I would not replace the G12 with any other comparable camera on the market. There are several points that I would like to make. Shooting coastline landscapes, I have grown a real appreciation for the 16:9 format. With the LCD open to the side and facing down, I am able to lift the camera well over my head and, in specific cases, gain a crucial, higher point of view. While I am a Raw + Photoshop kind of photographer, I am always mystified by the quality of the camera's jpeg HDR function (using a very light tripod). I am also an adult educator and the pictures of my students in the classroom that I take with the flash are really good. The major sacrifice imposed by the size of this camera is the lack of an EVF. The LCD monitor is OK in low light but in the sun you can kiss it goodbye. With all its limitations, it's the optical viewfinder that ends up saving the day.