Canon EOS Rebel T1i 15.1 MP CMOS Digital SLR Camera with 3-Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens
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Ships from and sold by 42nd Street Photo
(500 customer reviews)
Includes Canon EF-S 18-55mm f/3.5-5.6 IS lens
Full HD video capture.
High Resolution Still Capture.New 15.1 Megapixel CMOS sensor with DIGIC 4 Image Processor for faster processing of fine detail and natural color reproduction, 14-bit A/D conversion for smooth color tones and gradations.Canon's CMOS (complementary metal oxide semiconductor) sensor captures images with exceptional clarity and tonal range and offers the most pixels in its class. It offers many of the same new technologies as used by Canon's professional cameras to maximize each pixel's light gathering efficiency. Its APS-C size sensor creates an effective 1.6x field of view (compared to 35mm format). Canon's DIGIC 4 Image Processor dramatically speeds up all camera operations for intuitive operation and offers improvements in both fine detail and natural color reproduction. It works in concert with the EOS Rebel T1i's image sensor to achieve unprecedented levels of performance in all lighting situations.With the EOS Rebel T1i, analog to digital signal conversion is executed by a 14-bit pr...
- Amazon Sales Rank: #943 in Camera & Photo
- Color: black
- Brand: Canon
- Model: T1i 18-55mm kit
- Released on: 2011-10-31
- Number of items: 1
- Dimensions: 3.80" h x 2.40" w x 5.10" l, 1.06 pounds
- New 15.1-megapixel CMOS sensor with DIGIC 4 Image Processor
- Includes Canon EF-S 18-55mm f/3.5-5.6 IS lens
- Full HD video capture at 1920 x 1080 resolution; HDMI output
- 3.0-inch Clear View LCD; Live View Function for stills (Quick, Live and Face Detection AF modes) and video
- Capture images and video to SD/SDHC memory cards (not included)
From the Manufacturer
Canon’s new EOS Rebel T1i is packed with features, both refined and new. In addition to its admirable performance with an all-new 15.1 Megapixel Canon CMOS sensor, DIGIC 4 Image Processor, a 3.0-inch Clear View LCD with anti-reflective and scratch resistant coating, and compatibility with the EOS System of lenses and Speedlites, the EOS Rebel T1i adds remarkable Full HD video capture at resolutions up to 1920 x 1080.
EOS Rebel T1i Highlights
New 15.1-megapixel CMOS sensor with DIGIC 4 Image Processor
Canon’s CMOS (complementary metal oxide semiconductor) sensor captures images with exceptional clarity and tonal range and offers the most pixels in its class. It offers many of the same new technologies as used by Canon’s professional cameras to maximize each pixel’s light gathering efficiency. Its APS-C size sensor creates an effective 1.6x field of view (compared to 35mm format). Canon’s DIGIC 4 Image Processor dramatically speeds up all camera operations for intuitive operation and offers improvements in both fine detail and natural color reproduction. It works in concert with the EOS Rebel T1i’s image sensor to achieve unprecedented levels of performance in all lighting situations.
14-bit A/D Conversion
With the EOS Rebel T1i, analog to digital signal conversion is executed by a 14-bit processor, which generates digital data with incredibly smooth tones. A feature that originally appeared in top-of-the-line pro digital SLR cameras, the 14-bit conversion gives incredibly smooth transitions from light to dark colors with far less risk of "banding." A sky at sunset is a perfect example. With this rich 14-bit gradation, the EOS Rebel T1i offers RAW images of the highest quality that can be processed with Canon’s Digital Photo Professional software. Even JPEG files, which are always finished at 8-bits per channel, use the full 14-bit conversion initially to generate the best possible color and tonal detail.
The EOS Rebel T1i shoots brilliant video, even in full high definition. By simply selecting Movie mode on the EOS Rebel T1i’s mode dial, the camera’s 3.0-inch LCD lights up, and it's ready to go. Shooting is at a frame rate of 30 fps when shooting SD or HD quality video (640 x 480 and 1280 x 720 pixels, respectively) and at a frame rate of 20 fps in Full HD (1920 x 1080 pixels) recording. Sound is recorded through the camera’s built-in microphone. Playback modes are simple to access, and all Live View AF features can be used in shooting video.
Live View Function for stills and video
With Live View Function on the EOS Rebel T1i, you can enjoy nearly every camera function available in normal shooting, all with the convenience of composing on the camera’s brilliant 3.0-inch LCD monitor. You can zoom in and navigate the composition and there’s even a grid overlay for architectural shots. Live View focusing modes include Quick mode, Live mode and Face Detection AF mode and these are easily selectable through the convenient Live View Function menu.
Wide range ISO setting 100-3200
The EOS Rebel T1i features a greatly expanded ISO range that makes shooting possible in situations previously impossible without flash. With an expanded setting to ISO 3200 (ISO expansion: 6400, 12800), along with the DIGIC 4 Image Processor’s improved noise-reduction technology, your creative possibilities are nearly endless. Combine the EOS Rebel T1i with one of Canon’s EF/EF-S lenses with Optical Image Stabilizer and watch your shooting possibilities expand even further.
3.0-inch Clear View LCD (920,000 dots/VGA) monitor
The EOS Rebel T1i has a 3.0-inch high resolution LCD monitor that features 920,000 dots/VGA for far more detail than previous Rebel-series LCDs. It’s the same screen found on professional models such as the EOS 5D Mark II. A number of features enhance usability: an anti-reflective and water-repellant coating provides a clearer and more smudge-resistant surface and screen brightness can be adjusted in 7 steps in accordance with ambient light.
The EOS Rebel T1i’s Auto Lighting Optimizer is yet another image-quality tool that comes to the rescue in tricky lighting conditions. It can actually lighten dark areas of a scene while ensuring that bright areas maintain tonal detail. It’s available in all shooting modes, including P, Tv, Av and Manual.
Creative Auto goes a step beyond auto allowing control
Especially for beginners looking to expand their photographic horizons, the EOS Rebel T1i offers Creative Auto mode. While basic settings are based on full automatic operation, shooting guides on the LCD screen enable you to make corrections based on simple to follow guidelines. In essence, with Creative Auto mode, you can learn about photography while taking stunning photographs.
Compatible with over 60 Canon EF/EF-S lenses and most EOS System accessories
EOS Rebel T1i is compatible with all Canon lenses in the EF and EF-S lineup, ranging from ultra-wide angle to super telephoto lenses. Canon lenses employ advanced optical expertise and micron-precision engineering to deliver unprecedented performance in all facets of the photographic process. Special optical technologies, such as Aspherical, ultra-low dispersion, or fluorite elements are featured in the universally acclaimed L-series lenses, and Canon’s Optical Image Stabilizer technology is featured in select lenses, including the EF-S 18-55mm IS lens bundled with the EOS Rebel T1i, to minimize the effect of camera shake. With Canon lenses, you can truly maximize the quality and performance of the EOS camera.
The EOS Rebel T1i features Canon’s acclaimed E-TTL II flash metering system. With any EX-series Speedlite, E-TTL II provides reliable flash output whether shooting fill-in flash pictures in sunlight or using flash in total darkness. With E-TTL II, the exact same 35-zone metering sensor used for measuring ambient light is also used for flash metering--giving even finer metering command of the image area. If you prefer a broader area for flash metering, there’s a menu setting to change to "Average" flash metering--where the entire 35-zone area is measured evenly for flash exposure.
Canon EOS Digital Solution Disk (Version 20)
The EOS Rebel T1i comes bundled with a Canon EOS Digital Solution Disk, which features powerful software programs designed to extend the EOS experience to the computer. These include Canon's EOS Utility (Version 2.6), Digital Photo Professional (Version 3.6), ZoomBrowser EX for Windows (Version 6.3), ImageBrowser for Macintosh OS X (Version 6.3), the Picture Style Editor (Version 1.5), PhotoStitch (version 3.2), WFT Utility (version 3.3). Each application is designed to perfect the captured images and streamline the digital workflow.
Compatible Operating System
Windows: Windows XP SP2 or SP3/ Windows Vista (all version except the Starter Edition)
Macintosh: OS X 10.4 to 10.5
EOS Utility (Version 2.6) for Macintosh or Windows handles the connection between the camera and computer, whenever they’re connected via USB. It allows remote controlled shooting from the computer, handles downloading of images from the camera to the computer, and allows seamless linking to either Canon’s ZoomBrowser EX/ImageBrowser or Digital Photo Professional software once images have been copied to the hard drive. Furthermore, it’s used to upload settings back into a USB-connected camera.
Digital Photo Professional (Version 3.6) is an image processing program that enables high-speed RAW image processing, high-speed previewing for real-time image adjustment and support for sRGB, Adobe RGB and Wide Gamut RGB color spaces. Because it’s CMS (Color Management System) compatible, Digital Photo Professional allows for easy image layout and printing in Adobe RGB in conjunction with Easy-PhotoPrint and PictBridge printers. It also features the Dust Delete Data Detection tool for cleaner images.
Picture Style Editor (Version 1.5) enables you to create custom Picture Style profiles that can be used to customize the appearance of JPEG and RAW images captured with EOS Digital SLR cameras. Picture Style files created with Picture Style Editor can be loaded into the EOS cameras that support Picture Style and may also be used when processing RAW images in Canon software applications Digital Photo Professional, ZoomBrowser EX (for Windows) and ImageBrowser (for Mac).
ZoomBrowser EX (Version 6.3) for Windows and ImageBrowser (Version 6.3) for Mac OS X are the easy, user-friendly options for viewing and editing of JPEG and even RAW image files. Both allow viewing of numerous types of images including finished TIFF and BMP files. Both also have a variety of search options for finding images, allow re-naming of single images or batches of files, and offer a variety of options for printing without using a separate image-editing program.
Review from dpreview.com
Just 14 months after the launch of the EOS Rebel XSi (450D), Canon has unveiled its latest model, the Rebel T1i (500D). It's the fifth generation of Rebel and enters the market at a difficult time - in the midst of a global economic downturn and against the fiercest competition we've ever seen in the entry-level DSLR sector. So what has Canon done to make this latest model in the longest-established family in the sector live up to the edgy and exciting image implied by its US naming?
The 500D/T1i doesn't quite have to be the everyman camera that its predecessors were. The introduction of the Rebel XS (1000D) in June 2008 means the T1i no longer has to appeal to everybody who doesn't want to stretch to buying into the 50D class. As a result, the 450D was able to bulk up its feature set to include a selection of features that price-conscious shoppers don't necessarily realize they want, such as a larger viewfinder and spot metering. The result was probably the most complete Rebel we'd seen.
There's a full explanation of the differences between the 500D/T1i and it predecessor on the coming pages but, in general terms, it's a gentle re-working of the 450D. So you get the 15MP sensor much like the one that appears in the 50D, helping this to become the first entry-level DSLR to feature video (and 1080p HD video at that). You also get the lovely 920,000 dot VGA monitor that has been slowly working its way down most manufacturer's DSLR line-ups. There are a handful of other specification tweaks that come from the use of the latest Digic 4 processor but essentially this is most of a 50D stuffed into the familiar 450D body.
And, if the loss of the letter 'X' from the US name seems a bit disconcerting, you can comfort yourself with the knowledge that the Japanese market will still know it by the odd-to-European-ears 'Kiss X3 Digital.' For simplicity's sake, we'll refer to the 500D/T1i/Kiss X3 by the name 500D throughout the rest of the preview.
>Read more at dpreview.com
Most helpful customer reviews
2322 of 2346 people found the following review helpful.
A wonderfully full-featured camera at an unbeatable price
By Rimesh Patel
I've had the T1i for about almost week now and after some extensive use, here are my thoughts:
1. 15.1 megapixel sensor. Yes, the high megapixel count is impressive, but keep in mind that, as you approach higher resolutions, you need to ensure the lens on the SLR can resolve that much detail. Sadly, the included 18-55mm IS lens is functional, but the high resolution really shows the so-so quality of the lens. Even if taken at the proper focus, pictures can appear soft with this kit lens. Shots I have taken with Canon EF-S 17-85mm and EF 70-200mm L lenses are crisp. I don't have any gripes on image quality. There are some issues with noise on the higher ISOs that don't seem to show up on the Nikon digitals, but overall, the quality is amazing for the price. Skin tones, textures, colors are reproduced very accurately.
2. Digic 4. The Digic 4 processor appears to process/save the 15 megapixel images in the same time (if not faster) than the Digic III processor on the XSi (even in RAW+Jpg mode). I have also noticed that at higher ISOs, the sensor and the Digic 4 produce images with less overall noise compared with its predecessors.
3. LCD. The 920,000 pixel LCD screen is large (3"), crisp, vibrant and fully visible even in bright sunlight. In comparison, the Canon XSi SLR (which the T1i replaces), also has a 3" LCD, but with 230,000 pixels. The viewing angle is great as well and the LCD can easily be seen nearly 180 degrees around.
4. ISO 12800. Canon and Amazon are correctly identifying that the T1i maxes out at ISO 3200. Some less reputable dealers are listing an ISO 12800, which you should disregard. The ISO 6400 and 12800 settings are expanded ISO settings. The pictures taken on these two settings are ISO 3200 images pushed to ISO 6400 or 12800 by the Digic 4 chip before saving to the memory card. These pictures are extremely grainy and contain a lot of noise to the point of only being usable as for snapshots or adding an artistic effect to certain compositions.
5. Penta-mirror. That Canon is still using one in the T1i is disappointing. The penta-mirror viewfinder image is functional, but still noticeably darker than that of the penta-prism viewfinder in the Nikon D90 (which is the T1i's main competitor). I really would have preferred if Canon had kept the XSi's 12.2 megapixel sensor, forgone 1080p video altogether, and maybe upped the cost of the camera slightly to cover the production cost of using a penta-prism in the T1i. Honestly, unless you are massively cropping your images, or creating large photos, the difference between 12.2 and 15.1 megapixels really is negligible.
6. Size. This is the same body as the XSi, and therefore a bit on the smaller side compared to other digital SLRs. I have small hands, so the T1i is comfortable for me. If you have big hands, I can see this being a very difficult camera to use over an extended period of time. If you haven't handled a Canon XT, XTi or XSi, I would suggest you go to a store and hold the T1i yourself before purchasing it online. (I will upload a picture of the T1i in my hands to the user gallery for a size reference.)
7. HD Video. Yes, the Canon marketing department made a horrible marketing decision and pushed the T1i onto shelves limiting the 1080p recording to 20fps (frames per second). Recognize this as a marketing gimmick that allows them put a 1080p sticker on the camera box. The 1080p @ 20fps is fine most times, but seems a choppy if you have a lot of action in the frame or are panning quickly. The T1i's 720p video is recorded at 30fps and is clean, smooth, and sufficient for all but the most discerning consumers. One major criticism though is that the sound is recorded in mono, AND there is NO input for an external microphone.
A lot of pre-production reviews of the T1i criticize its inability to automatically autofocus while recording. I wouldn't put much weight in this criticism, mostly because neither of the other two SLR cameras with HD recording capabilities (Canon 5D Mark II and Nikon D90) can automatically autofocus while recording either. What you can do with the T1i is pan/zoom the lens and then press the AE lock (*) button to make the camera autofocus on the new subject (all while recording). A problem with using the AE lock button to have the camera autofocus is that the microphone for the camera is on the front upper left of the body near the lens mount. Therefore, the lens motor noise is picked up just as much as ambient sounds. Even with my quietest Canon USM (ultasonic motor) lenses, this lens motor sound is pretty loud in video playback. Although, remember, you can always manually turn the focusing ring on the lens to get your subject back into focus. It's not easy, but after a little practice, it's not all too hard, either.
Ultimately, you shouldn't let the HD recording limitations sway you one way or the other. This is an SLR camera -- not a video camera. The HD video is a great feature, but if you're looking for something primarily to take video, look elsewhere. There are much better, cheaper VIDEO cameras out there which can record true 1080p.
8. Record button. For some reason, the record video button is next to the LCD screen (the same button used for direct printing). The first few times you take video, you'll intuitively find yourself using the shutter release button used to take pictures. The reason for this switch is that you can take a still picture while recording video, although, doing so will interrupt the recording.
9. Battery life. My first fully charged battery only lasted about 250 shots (no flash), but all charges since have given me in the range of 500-700 shots per charge. I'm guessing the first charge had such a short life because I spent quite a bit of time learning the camera, its menus, and settings.
10. Live View. I honestly can't review this as I haven't used it too much yet -- I prefer using the viewfinder. One feature I can say is nice is that, on the LCD, you can digitally zoom in (up to 10x) on a section of your shot to ensure it is properly focused. This, and the fine focusing, can really help if you're into macro-photography.
11. HDMI cable. The T1i has an HDMI Type C output on the body to allow you to directly display pictures and video on an HDTV. A minor criticism is that the HDMI Type C cable is not included in the box. You have to buy it separately. It would have been nice if it were included, as it's not an expensive cable.
Conclusion. The T1i is a bit on the light end, yet the construction still feels solid. For the camera's price point, you'd be hard pressed to find any digital SLR out there which gives you all the capabilities and growth range of the Canon T1i. The camera is intuitive enough for those new to photography to pick and learn easily, yet configurable enough for advanced amateurs. If video is not a big deal for you, then get the Canon XSi. There is very little the T1i has (other than ISO 3200 and a sharper screen) that the XSi doesn't. Plus, with the release of the T1i, you can probably pick up a used XSi for a great price on eBay. My wife recently gave birth, and I'm not looking to record endless (never to be watched) tapes of video footage of our son, but I do want several minute clips of him as he grows through the years. I've always been more inclined towards photography, so this camera gives me a very versatile digital SLR that I need with the wonderful capability of recording HD video that I want.
289 of 300 people found the following review helpful.
First hands on experience...Very positive!
By Hiram Grant
Here's a quick, first impressions (from hands on shooting) of the Rebel T1i. Although we'll need more scientific examinations to determine ultimate image quality and usability, I'll try to give a hint into the camera's potential.
I'll not go in to any real detail on the kit lens, which has been well reviewed. Let's just agree that $100 for a good quality IS (image stabalized) lens is a very reasonable value it you don't have another option. There are no obvious reasons this kit lens should make or break your choice of this camera over a competitor's.
Styling and build wise, the T1i is an XSi made over, which is not a bad thing. Some found that camera to be a bit on the small size for their hands, or a bit lacking in weight, but most like the size and weight (include me). It uses the same, proven battery and accessories of the XSi. I've already used some generic batteries that worked well in an XSi, with similar good results, but I do not want to lump all generics in the "good to go" category.
In using the camera, the first thing you'll notice over the previous Rebels in the marvelous LCD screen. Yep, the images look much cleaner even at the original size. Don't get confused if you compare this camera side-by-side and think it's images are all that much better. They just look much better on such a sharp LCD.
First looks at IQ (Image Quality) were very impressive. I tried using the camera in a variety of situtations (biased to how I would use it), and got very good results throughout. Focusing was typical for a better Rebel, and images looked good throughout the ISO range, based on reasonable expectations. I thought the Auto White Balance is a very good job compared to previous results I'd had with Canons in general. They weren't perfect, but the tungsten areas seemed to look better than average. All in all, I'd say Canon made reasonable progress with the jump to 15 meg, but probably no reason to trade-in your XSi.
Live View never has been one of my biggest thrills, but the sharp LCD makes it a bit more enjoyable. If I was still shooting macros, I would like it much more.
But the biggest advantage of the newer screen for some will be while shooting videos. I only did videos in the 1080p mode, and was impressed by the quality. Sound was OK, and I was a bit disappointed that Canon doesn't have an option audio input (ala the 5D mkII or camcorders with intellegent shoe). I'm also not sure how practical the videos will be, considering they aren't using a "direct to HiDef player" format like AVCHD or AVCHD Lite. Also, 20fps is a bit odd for 1080p, but their software does support frame grapping, which should give nice 4x6 prints (there's a bit more than 2meg per frame). The 720p is recorded in a more standard 30fps, which should also help with moving subjects. You can also shoot a full 15meg image while recording your videos. You videos are interrupted for about a second (you'll see a still image for that length in the video playback), but the high quality image will be recorded in its own file (no need to frame grab). BTW, autofocusing did work during this recording, but the noise was picked up by the mic.
OK, so I liked the camera, but how would I rate it compared to the competition. Well, compared to the XSi, it's better, but maybe not worth the money. The LCD is grand (that alone would get my money), and it's a no brainer if you need video or shoot lots of macros. But with resent price drops and combo deals from Canon, the XSi should still be strong based on value.
I've also had a bit of experience with the new Nikon D5000 (but even less so). Although initial pricing is about $50 higher on the T1i, I thought the Canon was clearly more interesting. I like the way Sony incorporated an articulated LCD, but hate it on the D5000. I was constantly setting the camera down with the LCD back being the first thing to touch. You might never break it, but you'll surely scratch the cosmetics. The D5000 doesn't have the motor built into the body, so there's a bit of a limitation to lens. However, the biggest drawback was that the D5000's built-in flash doesn't support their wireless flash system (with their new lineup, we'll have to move up to the D90). The D5000 really needs to be lined up against the XSi, not the T1i.
The 14mp Sony Alpha 350 might be a good value oriented competitor (when Sony offers bundles), but the IQ of the Canon's CMOS sensor is probably better in most moderate to low light conditions. I think you'll be seeing something soon to replace this model.
Thus, it's prime competitors should be Canon's own XSi, the D5000 (especially if they drop the price about $100 more), and for those with a bit more money, the Nikon D90.
The T1i carries on the tradition of Canon Rebels with a lot of "curbside appeal" matched with solid performance.
513 of 558 people found the following review helpful.
Video Problems with some sdhc cards (especially Kingston), You may miss some good shots unless you use sandisk extreme lll.
**see update below, now give this camera a 4 star
**** Video Test memory consumption rates and max minutes per clip contained below.
I couldn't wait to my hands on the new Canon T1i. It was a stretch for my budget but had most of the 5d mkll features. I was excited. I pre-ordered a body (I already have 2 xti's and lenses) but the only the kits are/were available so I upgrade to get it before a SciFi convention I attended.
Higher iso and video, for the less than optimal lighting in the hall where the Celebs were speaking, attracted me.
I tested the video for memory consumption rate the day I got it, no problem for a 20 minute test run. I saw a little white bar on the right side of the screen appear get a little bigger, then disappear. I figured it was a buffer level. Next day at the convention during Jeri Ryan's appearance I took a few stills and flipped into the video mode, nice.... until it stopped after a few minutes. Set it back up, pushed record again a few minutes later stopped, no warning, no beep, just stopped. Try again, now I notice the buffer bar reaches the top, it stops. I am using a kingston 8 gig class 6 sdhc, freshly formatted by the camera. That sucks! I missed a lot of good video because this new marvelous camera can't write fast enough. This occured on 2 different but identical cards so I thought the camera was having problems. It was on the 720p mode, 1080 mode could only go 8 seconds.
****Update---I talked to Canon, to make a long story short, this camera is a bit finicky about which cards you put in it. Both kingston class 6 (fastest class) had problems, tried a kingston micro class 4 (slower) 4 gig and it worked fine, tried 2 Polaroid/pny 8 gig class 4's and they worked fine with only 1 buffer bar appearing occasionally, even on 1080. Canon guy seemed to like the sandisk brand. This begs the question of how can a class 4 work better than the class 6? I have a sandisk extreme III on order and will update this info if I have more problems with that.
My wrath now turns to Kingston, who service has been xlnt.
***update kingston- I returned a card to kingston, they sent a new one just as bad as the slow originals, which indicates ALL this type kingston are mot going to work in this camera for video.
******Another update, with a Sandisk 8 Gb Extreme lll card the video worked fine, no buffer bar at all. Perhaps there should be a recommended list of sdhc cards so others don't have the trouble I did.
That said, I was able to test the video as follows:
I have tested my T1i for memory usage in video mode, here are the results using a Sandisk 8 Gig Extreme III:
T1i Video Memory Usage Rates for a 1 minute file.
1080 mode 282 MB
720 mode 194 MB
480 mode 131MB
Following is for 5 minute file
1080 = 1,383 MB
720 = 988 MB
480 = 638
Any 1 clip can be 4GB max, so the following is an approximate max clip length
1080 about 14 minutes
720 about 20 minutes
480 about 30 minutes
These figures are approximate as the content of the video will affect the compression and amount of memory actually used but these are pretty close to an average time you should expect. I did a little rounding so these are probably the on the low side you may get a little more time, but not much, maybe a minute.
You can shoot as much video as the card will hold, just any 1 uninterrupted clip cannot be longer than 4 gig.
Shooting Video also eats the battery, buy extras, one Battery per every 8 gig card should be about right.
Bottom line-MAKE SURE you thoroughly test and 'season' the memory card BEFORE counting on getting complete videos. The first cards I tried did work on day 1 for 20 minutes but the buffer bar got to 3 or 4. Day 2 (the convention) was a different story, you read it above. DO NOT use KINGSTON CARDS.
Stills are pretty good but I noticed on blowing them up the noise almost looks like dusty distorted scratchy marks on the sensor, not just the colored freckles. My XTi is better, My Nikon d200 is better, my Nikon d40 is better in the noise department. I cranked up the iso to speed up my shutter and some of the shots looked like very dirty/dusty slides I have from the 70's. I guess you can choose between the noise or slow shutter speed with the movement blur, or both. See the customer images for a sample of the noise at 6400 iso.
****update on stills
Still shot Capacity on 8 gig card
Large + RAW =286
Just RAW = 359
Large = 1375
Medium = 2334
Small = 4175
* if you shoot any video mixed with the stills these numbers drop very fast.
Other review sites had a pre-release version of this camera and they had the same video problem, (they did not name the sdhc card they were using, but I'd bet it was a kingston). Unfortunately there were not any reviews of actual cameras when I ordered it, just press releases. Now you have been warned and now you have this review. When you lose the video as the couple says 'I do' or other critical moment, you'll curse too.
***I currently put a SanDisk 8 gb sdhc extreme III rated at 20 MB/Second, far and above the minimum class 6 rating of 6MB/sec, it seems to work flawlessly today, we'll see about tomorrow, but this showed no signs of the buffer bar on the side, looks promising!
***update SanDisk still working xlnt.
If you are going to do Video, and it important at all, I can only recommend the SanDisk 8 gb sdhc extreme III at this point. Just be warned that the video mode is very demanding and picky about the performance of the card, just the class rating is not to be counted on, as I found out the hard way. Some class 4's may work, even class 2's but that buffer bar will start showing up.
>>>>>>>> Be Safe Buy the Sandisk Extreme III.
>>>>>>>> Another user says Transcend 16GB Class 6 SDHC is performing well in video
>>>>>>used A-Data class 10 sdhc 8GB card with no problems
>>>>>>WARNING ---Centon Class 6 16GB SDHC crashed and as slow as Kingston DO NOT use CENTON cards, they do NOT comply with the speed rating.
>>>>>>Polaroid/pny 16GB Class 4 cards work OK as long as you do NOT take a still pic while videoing.
***Notes on Video File format generated by the t1i-
This camera saves the video in .MOV files, which is fine if you have an apple/mac, BUT if you run xp, you must convert this format file to something else (avi, mpeg,...etc)in order to make a dvd with the commonly found software. Canon DOES NOT provide any software to deal with .mov conversion or transferring to a dvd to be played by a dvd player. This makes life a lot more complicated. Sure you can search around, get a file converter, then import to a dvd maker, then burn a dvd. Why should I have to search for these utilities and go through all that? Why couldn't canon have just put a simple dvd transfer or mov converter program in the bundle? Or have I just not found it yet?
Canon, please remember, K.I.S.S. is a good principle.